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Enjoy the ultimate home theater experience with BEFREE SOUND'S 2.1 Channel Surround Sound Bluetooth Speaker System. This speaker system is designed with sophistication, featuring a sleek look and smooth sound. With Bluetooth, USB, SD and FM radio capability, the system offers the best possible listening options for your enjoyment.

Enjoy the ultimate home theater experience with BEFREE SOUND'S 5.1-Channel Surround Sound Bluetooth Speaker System. This speaker system is designed with sophistication, featuring a sleek look and smooth sound. With Bluetooth, USB, SD and FM radio capability, the system offers the best possible listening options for your enjoyment.

Enjoy the ultimate home theater experience with BEFREE SOUND'S 5.1-Channel Surround Sound Bluetooth Speaker System. This speaker system features a sleek look and smooth sound. With Bluetooth, USB, SD and FM radio capability, the system offers the best possible listening options for your enjoyment.

Enjoy the ultimate home theater experience with BEFREE SOUND'S 5.1-Channel Surround Sound Bluetooth Speaker System. This speaker system is designed with sophistication, featuring a sleek look and smooth sound. With Bluetooth, USB, SD and FM radio capability, the system offers the best possible listening options for your enjoyment.

Enjoy the ultimate home theater experience with BEFREE SOUND'S 5.1-Channel Surround Sound Bluetooth Speaker System. This speaker system is designed with sophistication, featuring a sleek look and smooth sound. With Bluetooth, USB, SD and FM radio capability, the system offers the best possible listening options for your enjoyment.

Wireless Imagination addresses perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio art. Composed of both original essays and several newly translated documents, this book provides a close audition to some of the most telling and soundful moments in the "deaf century," conceived and performed by such artists as Raymond Roussel, Antonin Artaud, Marcel Duchamp, André Breton, John Cage, Hugo Ball, Kurt Weill, and William Burroughs. From the late nineteenth century to the 1960s, the essays uncover the fantastic acoustic scenarios projected through the writings of Raymond Roussel; the aural objects of Marcel Duchamp; Dziga Vertov's proposal for a phonographic "laboratory of hearing"; the ZAUM language and Radio Sorcery conjured by Velimir Khlebnikov; the iconoclastic castaways of F. T. Marinetti's La Radia; the destroyed musics of the Surrealists; the noise bands of Russolo, Foregger, Varèse, and Cage; the contorted radio talk show delivered by Antonin Artaud; the labyrinthine inner journeys invoked by German Hörspiel; and the razor contamination and cut-up ventriloquism of William S. Burroughs.

Wireless Imagination addresses perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio art. Composed of both original essays and several newly translated documents, this book provides a close audition to some of the most telling and soundful moments in the "deaf century," conceived and performed by such artists as Raymond Roussel, Antonin Artaud, Marcel Duchamp, André Breton, John Cage, Hugo Ball, Kurt Weill, and William Burroughs. From the late nineteenth century to the 1960s, the essays uncover the fantastic acoustic scenarios projected through the writings of Raymond Roussel; the aural objects of Marcel Duchamp; Dziga Vertov's proposal for a phonographic "laboratory of hearing"; the ZAUM language and Radio Sorcery conjured by Velimir Khlebnikov; the iconoclastic castaways of F. T. Marinetti's La Radia; the destroyed musics of the Surrealists; the noise bands of Russolo, Foregger, Varèse, and Cage; the contorted radio talk show delivered by Antonin Artaud; the labyrinthine inner journeys invoked by German Hörspiel; and the razor contamination and cut-up ventriloquism of William S. Burroughs.

Wireless Imagination addresses perhaps the most conspicuous silence in contemporary theory and art criticism, the silence that surrounds the polyphonous histories of audio art. Composed of both original essays and several newly translated documents, this book provides a close audition to some of the most telling and soundful moments in the "deaf century," conceived and performed by such artists as Raymond Roussel, Antonin Artaud, Marcel Duchamp, André Breton, John Cage, Hugo Ball, Kurt Weill, and William Burroughs. From the late nineteenth century to the 1960s, the essays uncover the fantastic acoustic scenarios projected through the writings of Raymond Roussel; the aural objects of Marcel Duchamp; Dziga Vertov's proposal for a phonographic "laboratory of hearing"; the ZAUM language and Radio Sorcery conjured by Velimir Khlebnikov; the iconoclastic castaways of F. T. Marinetti's La Radia; the destroyed musics of the Surrealists; the noise bands of Russolo, Foregger, Varèse, and Cage; the contorted radio talk show delivered by Antonin Artaud; the labyrinthine inner journeys invoked by German Hörspiel; and the razor contamination and cut-up ventriloquism of William S. Burroughs.

Conformal Coated PCB. Illuminated Controls. IPX6-Rated (Water-Resistant / Dustproof). Zero Current Draw Memory (Radio Preset Memory in case of Battery Disconnect). Cutout Diameter: 3 in. 50 Watts x 4 Channel. Resin Treated Cloth Surround. Polypropylene Cone. Dual Cone Design. Composite Basket. USB Port. USB Charging (2A). Front Pre-Amp Outputs. Aux-In. Compatible with Audio Output of iPod /iPhone , Smartphones and MP3 players.

Conformal Coated PCB. Illuminated Controls. IPX6-Rated (Water-Resistant / Dustproof). Zero Current Draw Memory (Radio Preset Memory in case of Battery Disconnect). Cutout Diameter: 3 in. 50 Watts. Resin Treated Cloth Surround. Polypropylene Cone. Dual Cone Design. Composite Basket. USB Charging (2A). Aux-In. Compatible with Audio Output of iPod /iPhone , Smartphones and MP3 players. Front Pre-Amp Outputs.

The Broadcast and Surround Suite includes high-end tools to ensure a smooth, engaging, highly professional mix for TV, radio, and streaming product...

With the haunting collages of Ghost Tapes, El Mahdy Jr goes deeper into his own personal sonic space. Ghost Tapes is a composition of everyday fragments based on found tapes, field recordings, beats, and radio frequencies. A ruff attempt of interpreting the cultural ghost that surrounds the field and makes the difference between place and space -El Mahdy Jr, 2015. Mastered and cut by Rashad Becker at Dubplates & Mastering. Pressed at Optimal.

Deluxe three CD + NTSC/Region 0 DVD edition. Features an additional 33 bonus tracks drawn from new 5. 1 surround sound and stereo mixes from the original multi-track master tapes, BBC radio sessions from 1968 and 1971, and non-album singles along with the 1968 short film Mr. Sunshine. The set also includes a lavishly illustrated 68-page book with previously unseen photographs and an essay by BJH specialists Keith and Monika Domone. Additionally, the set includes a facsimile of the 1970 Barclay J

Commercial breaks, radio spots, product placements, billboards, pop-up ads―we sometimes take for granted how much advertising surrounds us in our daily lives. We may find ads funny, odd, or even disturbing, but we rarely stop to consider their deeper meaning or function within society. What, exactly, does advertising do? How and why do ads influence us? How does the advertising industry influence our media? These are just a few of the many important questions addressed in The Advertising and Consumer Culture Reader―an incisive, provocative collection that assembles twenty-seven of the most important scholarly writings on advertising and consumer culture to date. The classic and contemporary essays gathered here explore the past, present, and future of advertising―from the early days of print to the World Wide Web and beyond. These selections offer historical, sociological, critical, cultural, and political-economic lenses to explore a wide range of topics―from consumer activism to globalization to the role of ads in the political process. Together, these key readings chart the past, present, and future of advertising, while also examining the effects of advertising and consumer culture upon individuals, society, cultures, and the world at large. Designed for use in courses, the collection begins with a general introduction that orients students to thinking critically about advertising and consumer culture. Section and chapter introductions offer valuable historical and critical context, while review questions after each reading will spark classroom debates and challenge students’ understanding of key concepts.